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"Uncle" Walter Austin passes - 5/11/2008 5:37 pm

REVIEW: HANSEL & GRETEL - 5/9/2008 6:17 pm

Adams featured in The New Yorker - 5/8/2008 10:20 am

FIRST FRIDAY RAMBLES - DID YOU SEE THE SHOW? - 5/2/2008 10:49 am

Review: Wooten woos a Bear Tooth crowd - 5/2/2008 2:47 am

Alaska Junior Theater announces next season, includes Black Violin - 5/1/2008 5:06 pm

Head's up: Put on your armor and prepare for satire! - 4/30/2008 12:16 pm

ASO's next season peppered with premieres - 4/27/2008 7:04 pm

Review: "The Nerd" - 4/27/2008 9:29 am

REVIEW: Anchorage Symphony with Naoko Takada - 4/27/2008 12:37 am

Did you see the show? - 4/25/2008 10:57 am

Review: Franti's show volcanic, if you don't mind a few lectures - 4/18/2008 1:59 am

ACA announces next season: Make way for the Knights Who Say "Ni!" - 4/16/2008 11:49 am

Review: "Cirque Dreams" jungle scene dazzles the eye - 4/16/2008 5:03 am

Review: Opera's latest big on laughs, style - 4/13/2008 12:53 am

Review: You should've seen these dancers! Wait, you still can. - 4/12/2008 1:27 am

REVIEW: UAA NEW DANCES - 4/11/2008 11:46 pm

REVIEW: FLAMEL'S DREAM - 4/11/2008 11:44 pm

NATS Voice Competition - 4/11/2008 1:54 pm

WARHOL COMING? Mayor's Arts Awards - 4/8/2008 11:02 am

Anime-ted argument - 4/7/2008 6:19 pm

REVIEW: Anonymous 4 - 4/5/2008 10:43 pm

Review: Wooten woos a Bear Tooth crowd

Dawnell Smith
Daily News Correspondent

When you put on your listening ears to hear the Victor Wooten Band, you can expect to learn a lesson or two.

But when Wooten took his mostly solo rendering of "The Lesson" into a controlled but thundering bass loop of remarkable mastery last night at the Bear Tooth, more than a few jaws dropped. And when he layered on another loop and played with both, even the buzzed young bucks in back looked spellbound.

Not to mention all the local bass players, jazz guitarists, horn players and composers standing in the audience.

Wooten playing with Bela Fleck: Darla Khazei/Association Press archive 2001Wooten playing with Bela Fleck: Darla Khazei/Association Press archive 2001

Suffice it to say that Wooten sure can play, wielding his bass like a rhythmic, melodic, harmonic dynamo. Drenched in sweat and good energy by the night's end, Wooten and his band raged through two-hours of funk, jazz, rhythm and blues, hip-hop and hardcore sonic mayhem, sometimes all at the same tune.

The band opened with "2 Timers," a dense but catchy song by Wooten, and then meandered through songs from his latest album, Palmystery, along with a few barnburners to boot. Wooten's compositions tend to sustain a spiritual, uplifting soundscape, often incorporating vocals as both sound and narrative, such as in the earnest spoken word tune, "I Saw God," or the ethereal "Cambo."

The jazz-influenced, funk-fortified concert moved seamlessly from a reggae ditty to hip-hop, world music and raging solos.

Folks really got jazzed when drummer Derico Williams tore it up in "Left, Right & Center," a Wooten song originally recorded with three drummers. William played alone and shook some bones with his set of sticks.

The rest of the band includes Joseph Wooten on keyboards, Saundra Williams on vocals, Anthony Wellington on bass and Regi Wooten on guitar. At one point, Victor Wooten introduced his older brother as "The Teacher." Soon enough, Regi popped, slapped, strummed and whirled his guitar into a state of hysteria.

By night's end, the band turned full circle with the exuberant "Miss U" and a lingering goodbye on stage. With all those brothers and old friends playing together, the band sends out the right energy—confident, but humble; impressive, but grateful.

By now, bass player Nick Petumenos is probably marveling at his good fortune. He took a call just days before the show asking him if he wanted to open for the band. Before Victor Wooten? Well, in that kind of situation, you can't help but say, "Yes. No. Yes. No," said Petumenos.

Fortunately, he said "yes," because his band (Ira Sellers on guitar, Brandon Cockburn on drums) did a good job playing everything from Miles Davis to the Temptations with a guitar, drums and bass.

Of course, after watching Wooten's band play, it's clear that a single instrument can accomplish just as much as several, and several can jam beyond no man's land.


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  1     May 5, 2008 - 8:56pm | francine

oh my god how dare you

There are quite a few phrases, slang words and racist comments that I as a Black Woman would never,ever never ever use. Unless I was certain that the company I was keeping at the time were being as ignorant and insensitive as I was. So imagine the utter shock I felt while reading Dawnell Smith's jumble of words that were being passed off as a music review for Victor Wooten and his way cool band. All Black like me. To read the two word phrase Young Buck. On the heels of the disparaging remarks made by the chicken nuggets on the Fox radio station concerning our Native Sisters, that yet another one of our media folks has crossed the line and proved that any potato can pass. I cannot and will not believe that Dawnell Smith has never heard the phrase Young Buck used to describe a young black male for sale on the Slave Auction Blocks of the not so very distant past. I am offended to my very core that Dawnell Smith felt absolutely ok with herself and her world as she perceives it to write something so negative, demeaning,and downright inappropriate towards men. Shame on you Dawnell and Shame on you Anchorage Daily News for not catching it. Oh well, what should I expect from someone uninformed enough to use the word meandering to describe anything concerning Victor Wooten. Her thought process must have meandered during the performance to a place where everyone lives their life as russet potatoes And nothing really matters except hot grease,sour cream,chives,bacon bits (real and imitation)ketchup and lord of mercy chili cheese